For example, as a matter of fact, you can take many examples that adorn this new medium, where bloggers and webmasters have started the "tastemaker" conventional title DJs (2dopeboyz vs Funk Flex vs YouHeardThatNew Kayslay, RapRadar vs DJ Drama, reaching)?. I know it's a little daunting for some, but still with me. Within the last year, ask yourself what artist profile has designed these ardent fan bases, which at this time, helped them to "go viral" online? This trend will continue to grow as you see more and more artists to worry about the number of songs sold on iTunes, and not on the streets. You will hear more and more artists talk about building your Twitter and Facebook, instead of talking about the sale of the headquarters of the club. Each time is so common that an Ethernet and a budget are the only tools that today's artists need to play in the same field as the majors. So ask yourself, if you can remember, in the last year, if there was a need for "street credentials" to make a hip hop artist successfully (of course, unless your lane, and he ends up taking a beating a tattoo on his face, but that's another story). View Lil B, Tyler, The Creator, whether large, Kid Cudi, Wiz Khalifa, Yelawolf, Mac Miller, and the latest addition, hate or love her, she "Gucci" itself, Kreayshawn. So I hope that "the1990s were the best," an idea enthusiasts. Things have changed, and obviously the best.
Now figure this equation, ok? A change in marketing tactics (internet marketing for music is eating up budgets that use more than 10 years), and since next to the "Hipster" hobby, so you have a complete demographic Again, where artists can possibly go gold, platinum, even next to a line after only (no doubt individual sales). So with that being said, the Internet has really leveled the playing field for all who want a chance to live the "American Dream." I applaud this kind of "invisible hand" of the market, and I refuse to hate about it.
